Carrie Fisher’s my patron saint now. Patron Saint of addicts, mood disorders, and loud women. I just decided. I’m gonna build another shrine.
I second this motion. Canonize Space Mom.
Our Lady of Growing Old Disgracefully
Tag: yes good
What she says: I’m fine
What she means: Joss Whedon spent at least half an hour of the two hours of movie time during The Avengers to dedicate to the relationship between Clint and Natasha. They obviously have a very deep and personal bond, he spared her life and gave her a second chance and she used it to join the good side. Throughout the whole movie they show time and time again that they care more about each other’s safety than anything else. Not to mention that little Easter egg in Captain America 2, that arrow necklace that Natasha is wearing when they’re in their casual clothes. The franchise was obviously setting up for Natasha and Clint to become an item, and what the fuck happens in Age of Ultron? They just throw that out the fucking window, all that buildup for nothing, all that PERFECTLY GOOD CHEMISTRY FOR NOTHING jesus fucking christ I can’t take it
“He was asking for you when we found him.”
In which Clint was actually in Captain America: The Winter Soldier
All gendered items are unnecessarily gendered items.
Being unconditionally polite, kind, and compassionate in a society that values and finds “deeper meaning” in aloofness and cynicism is subversive and thus punk
hufflepunk
Audrey says “fuck your gender roles”
This movie is super underrated.
Audrey is so underrated. How can you not love her?
I have a love-hate relationship with this movie.
On one hand it’s got awesome PoC characters who defy racial and gender stereotypes. It also discusses colonialism and how people tend to destroy indigenous cultures to obtain land and resources (which is why the crew ultimately decided a to pretend they never found Atlantis because they don’t want anyone else to try and destroy the culture).
But on the other hand, the whole plot is that Atlantis needs a white, cishet man to save it from extinction and for some reason he understand their culture and language better than they do.hEY FUCK YOU OKAY
MILO WAS THE ANTITHESIS OF WHITE SAVIOR
HE WAS A NERDY USELESS LITTLE SHIT WHO WAS COWARDLY UNTIL OTHERS FORCED HIM TO ACT
HIS ONLY STRENGTHS WERE HIS MIND AND HIS ETHICS
HE WAS THE PERFECT DUDE FOR THE JOB AND THE REASON HE KNEW BETTER WAS BECAUSE HE RIGOROUSLY STUDIED TEXTS THAT HAD BEEN LOST OR DESTROYED IN ATLANTIS BECAUSE KIDA’S FATHER INTENTIONALLY LET HIS KINGDOM LAPSE INTO DECAY AND OBSCURITYDO NOT PULL THAT WHITE SAVIOUR BULLSHIT BECAUSE MILO WAS A DAMN GOOD DUDE
I’ve been trying to tell people this for years. Also, what differentiates Milo’s experience from the white savior complex is his expectation and his attitude. When looking for Atlantis, the last thing Milo expects to find are people. He says the most they thought that they would find are carvings and pottery. And he would have been happy with just that.
And even when he finds the Atlanteans, he treats the culture and people with the utmost respect (peek the scene where the crew has their audience with the king). He never tries to interfere in the people’s way of life nor change them. He’s merely an observer fascinated with the culture/people and just wants to know more about them.
In most movies, the white savior comes into the situation with an attitude of superiority and only through his interactions with the native people (and a lot of times a beautiful native woman) is he humbled and then eventually brought in as an honorary member of the people. Milo never asks for thanks or wants to make a name for himself. He does what he does because he loves it and it’s a way to keep his grandfather’s legacy alive.
Yeah. Milo was a damn good dude.
“If people think you’re a witch, you might as well be one.” –
man you know what I want? a superhero series where they have powers that 100% contradict their personalities. a fishermans daughter who lives by the sea, swims every day, learns that she can control fire. a boy who’s mortified of heights but realizes he can use antigravity and hates it. someone who was bitten by a dog as a child, suffers extreme fear around animals, can now communicate with them. they’re all disgusted by their powers.
yes good but what about the ~character development~ as they learn to cope with their powers and overcome their fears
the pyrokinetic swimmer wading out into the ocean armed with waterproof matches to practice so nothing goes wrong, building her confidence with the sea as her safety net, being so proud when she figures out how to heat the air just enough that she dries off instantly after swimming
the boy slowly overcoming his fear of heights, realizing that he can catch himself if he ever falls, standing swaying on top of playground sets and closing his eyes as he tries to safely hover down (and not fall on his face again)
the girl’s terror lessening as the previously terrifying cacophony of the dogs at the park turns into a chorus of “ball! ball! throw me the ball!” “it’s me! I’m the good boy!” and “squirrel!!!” and learning to communicate back, have them listen to her, learning how to calm down a dog who’s overexcited to the point of biting, discovering that the scary dog down the street is just home alone a lot and lonely, staring her fear in the face and learning its secrets
because being disgusted with their powers is interesting, but I want to see people learning to love even the scary and contradictory parts of themselves
Nothing worth having comes without some kind of fight.

















